![]() "Dave Brubeck, Take Five jazz star, dies 91". ↑ Race, Steve (1959) (LP sleeve notes), Time Out, Columbia Records.The single "Take Five" also sold more than a million. Time Out was the first jazz album to sell more than a million copies. Cozbi Sanchez-Cabrera – reissue art direction.Template:Track listing Personnel The Dave Brubeck Quartet A handful of copies of the DualDisc version of this album have traded hands in the collectors' market since its release, some for several hundred dollars.Īll compositions by Dave Brubeck, except "Take Five" by Paul Desmond. As a result, fewer than 50 copies of this album are known to exist in DualDisc format, and it is one of the rarest commercially released CDs of all time. Due to "rights issues", the DualDisc issue was recalled within days of being shipped to just a handful of stores in these two cities. Time Out was included among a group of 15 DualDisc releases that were test marketed in two cities: Boston and Seattle. The Legacy Edition's third disc is a DVD featuring a 30-minute interview with Brubeck in 2003, and an interactive "piano lesson" where the viewer can toggle through four different camera angles of Brubeck performing a solo version of "Three to Get Ready". ![]() In addition to the complete album, the Legacy Edition includes a bonus disc featuring previously unreleased concert recordings of the same Brubeck Quartet from the 1961, 1963, and 1964 gatherings of Newport Jazz Festival. This edition offers a much higher dynamic range than the 1997 remaster. In 2009 Legacy Recordings released a special three-disc 50th Anniversary Edition of Time Out. It was also listed in the book 1001 Albums You Must Hear Before You Die. In 2005, it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 1997, the album was remastered for compact disc by Legacy Records. It has been speculated that "Kathy's Waltz" inspired the song " All My Loving", written by Paul McCartney and performed by The Beatles, as they share similar rhythmic endings to the last phrases of their melodies. "Everybody's Jumpin'" is mainly in a very flexible 6/4, while "Pick Up Sticks" firms that up into a clear and steady 6/4. "Kathy's Waltz", named after Brubeck's daughter Cathy but misspelled, starts in 4/4, and only later switches to double-waltz time before merging the two. It was supposed to be a Joe Morello drum solo." "Three to Get Ready" begins in waltz-time, after which it begins to alternate between two measures of 3/4 and two of 4/4. According to Desmond, "It was never supposed to be a hit. "Strange Meadow Lark" begins with a piano solo that exhibits no clear time signature, but then settles into a fairly ordinary 4/4 swing once the rest of the group joins. Contrary to popular belief, Brubeck did not base the piece on the Mozart sonata musically he stated in a 2003 interview, "I should've just called it 'Blue Rondo', because the title just seemed to confuse people." 11, and reflects the fact that the band heard the rhythm while traveling in Turkey. ![]() The title is a play on Mozart's "Rondo alla Turca" from his Piano Sonata No. " Blue Rondo à la Turk" starts in 9/8, with a typically Balkan 2+2+2+3 subdivision into short and long beats (the rhythm of the Turkish zeybek, equivalent of the Greek zeibekiko) as opposed to the more Western 3+3+3 pattern, but the saxophone and piano solos are in 4/4. It produced a Top 40 hit single in " Take Five", composed by Paul Desmond, and the one track not written by Dave Brubeck.Īlthough the theme of Time Out is non-common-time signatures, things are not quite so simple. Despite this, it became one of the best-known and biggest-selling jazz albums, charting highly on the popular albums chart when 50,000 units sold for a jazz album was impressive. On the condition that Brubeck's group first record a conventional album of traditional songs of the American South, Gone with the Wind, Columbia president Goddard Lieberson took a chance to underwrite and release Time Out, and it received negative reviews by critics upon its release. The album was intended as an experiment using musical styles Brubeck discovered abroad while on a United States Department of State sponsored tour of Eurasia, such as when he observed in Turkey a group of street musicians performing a traditional Turkish folk song that was played in 9/8 time, a rare meter for Western music.
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